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This project explores globalisation through its accelerated impact on city space, which stems from the artists involvement as a soundsystem DJ from 1995 onwards.

Project commenced 2013, in Guayas, Ecuador. Rising above Las Peñas, the Cerro Santa Ana was a favela with many problems until a social entrepreneurship and regeneration project provided every household with funding to renovate their houses and setup businesses of their own.

In October of 1953, while on his motorbike trip, Ernesto Che Guevara stayed in the neighbourhood of Las Peñas, in the first house near the top of the terrace numbered 199. His room was made of wood and had a view of the Guayas River.

Time-stretched samples of movement forming improvised marks and traces that temporarily reclaim urban structures. Forms part of a project which explores critical physical dialogues with the city.

Archival print mounted on acrylic
50 x 150 cm
Edition of 10
Signed

£1,200

Sampled city space, filtered to form intricate textures and to compress the space. Concentrated layers, “the immense texturology spread out before one’s eyes … the networks of these moving, intersecting writings compose a manifold story that has neither author nor spectator, shaped out of fragments of trajectories and alterations of spaces…”

Silkscreen Print Black and Gold on Fabriano Paper
50 x 70 cm
Edition of 150
Signed

£400

Silkscreen Print Black and Gold on Fabriano Paper
100 x 70 cm
Edition of 150
Signed

£450

This work is from the Overstand (Postcolonial Sampler) project, which led to a two-person exhibition featuring the work of Neil Kenlock and Jaykoe.

Kenlock’s work documents the history of civil rights struggles in London. His images of British Caribbean residents in Brixton in the late 1960s and ’70s formed part of the exhibition, echoing his inclusion in the Tate Britain show “Stan Firm Inna Inglan”.

Kenlock and Jaykoe created a dynamic series of collaborative works for the exhibition, which coincided with Black History Month. Jaykoe sampled and transposed a variety of images of life in Brixton before, during and after the 1981 riot – including original photographs taken by Neil Kenlock in the 1970s.